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Description
This book addresses a deceptively simple question: what accounts for the global success of A Doll’s House, Henrik Ibsen’s most popular play? Using maps, networks, and images to explore the world history of the play’s production, this question is considered from two angles: cultural transmission and adaptation. Analysing the play’s transmission reveals the social, economic, and political forces that have secured its place in the canon of world drama; a comparative study of the play’s 135-year production history across five continents offers new insights into theatrical adaptation. Key areas of research include the global tours of nineteenth-century actress-managers, Norway’s soft diplomacy in promoting gender equality, representations of the female performing body, and the sexual vectors of social change in theatre.
Pages
233 pages
Collection
n.c
Parution
2016-09-15
Marque
Palgrave Macmillan
EAN papier
9781137438997
EAN PDF
9781137438997

Informations sur l'ebook
Nombre pages copiables
2
Nombre pages imprimables
23
Taille du fichier
7772 Ko
Prix
96,29 €
EAN EPUB
9781137438997

Informations sur l'ebook
Nombre pages copiables
2
Nombre pages imprimables
23
Taille du fichier
2191 Ko
Prix
96,29 €

Led by Professor Julie Holledge (Centre for Ibsen Studies, University of Oslo), this collaborative project brings together Ibsen specialists with scholars in digital humanities and theatre studies: Dr Jonathan Bollen (University of New South Wales, Australia), Director of AusStage, the Australian database for researching performance (2006-13); Professor Frode Helland, (Director of the Centre for Ibsen Studies, University of Oslo, Norway), author of Ibsen in Practice (2015); and Professor Joanne Tompkins (University of Queensland, Australia), author of Theatre’s Heterotopias (2014), and co-author with Holledge of Women’s Intercultural Performance (2001), winner of the Rob Jordan Book Prize. 

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