After the Dance, the Drums Are Heavy

Carnival, Politics, and Musical Engagement in Haiti

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Oxford University Press


Paru le : 2019-12-31



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Description
Richly ethnographic and a compelling read, After the Dance, the Drums Are Heavy is a study of carnival, politics, and the musical engagement of ordinary citizens and celebrity musicians in contemporary Haiti. The book explores how the self-declared president of konpa Sweet Micky (Michel Martelly) rose to the nation's highest office while methodically crafting a political product inherently entangled with his musical product. It offers deep historical perspective on the characteristics of carnivalesque verbal play-and the performative skillset of the artist (Sweet Micky) who dominated carnival for more than a decade-including vulgarities and polemics. Yet there has been profound resistance to this brand of politics led by many other high-profile artists, including Matyas and Jòj, Brothers Posse, Boukman Eksperyans, and RAM. These groups have each released popular carnival songs that have contributed to the public's discussions on what civic participation and citizenship in Haiti can and should be. Drawing on more than a decade and a half of ethnographic research, Rebecca Dirksen presents an in-depth consideration of politically and socially engaged music and what these expressions mean for the Haitian population in the face of challenging political and economic circumstances. After the Dance, the Drums Are Heavy centers the voices of Haitian musicians and regular citizens by extensively sharing interviews and detailed analyses of musical performance in the context of contemporary events well beyond the musical realm.
Pages
240 pages
Collection
n.c
Parution
2019-12-31
Marque
Oxford University Press
EAN papier
9780190928056
EAN PDF
9780190928070

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0
Nombre pages imprimables
0
Taille du fichier
48159 Ko
Prix
21,92 €
EAN EPUB
9780190928087

Informations sur l'ebook
Nombre pages copiables
0
Nombre pages imprimables
0
Taille du fichier
24893 Ko
Prix
21,92 €

Rebecca Dirksen is an ethnomusicologist working across the spectrum of musical genres in Haiti and its diaspora. Her research concerns cultural approaches to development, crisis, and disaster; sustainability, diverse environmentalisms, and ecomusicology; and applied/engaged/activist scholarship. She is a professor in the Department of Folklore and Ethnomusicology at Indiana University Bloomington and a founding member of the Diverse Environmentalisms Research Team (DERT).

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